News2025-08-08T19:14:02+00:00
1803, 2024

inkAID White Matte On Arches 88 Black Paper

March 18, 2024|

Create Unique, Archival Fine Art & Mixed Media Prints On Virtually Any Material Here's a quick example of how to coat printmaking papers with inkAID coatings to create beautiful and unique prints!

1703, 2024

Wen Redmond – Digital Fiber Collage

March 17, 2024|

Wen Redmond – Digital Fiber Collage. An image printed on interfacing (bottom layer) and then again on lutrador coated with a mixture of inkAID White Matte and Clear Gloss Type II coatings. Lutrador was then cut into sections and stitched onto the printed quilted interfacing with pearl cotton.πŸ‘πŸ‘πŸ‘. Included in the exhibit - Photography Without a Lens: An Exploration of Alternate Processes. πŸ§‘β€πŸŽ¨ @wenredmond πŸ–¨ Epson 3880

1603, 2024

Encaustic Wax Mono Print With inkAID Image Transfer

March 16, 2024|

Patti Russotti. β€œMushrooms”. Encaustic wax mono print on Japanese Washi paper followed by an image transfer with inkAID Transfer Film, printed with pigment inkjet inks, and inkAID Transferiez Transfer Medium on top. Image transfers and encaustic wax can be layered, one on top of another.Β πŸ‘πŸ‘πŸ‘ πŸ§‘β€πŸŽ¨ @patti.russotti πŸ–¨ Epson

1503, 2024

Loek de la Haye – Still Life Ink Bottle

March 15, 2024|

Loek de la Haye. β€œStill Life With Ink Bottle”. Original photography in a beautiful mixed media print. 45 cm x 45 cm. Pigment inkjet print on BFK Rives paper first coated with acrylic gloss medium. After drying, Daler-Rowney Shimmering Copper was applied (Golden Interference Acrylic Copper can also be used). Then three coats of inkAID Clear Gloss Type II were applied, drying 12 hours in between coats.[...]

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